翻訳と辞書 Words near each other ・ Identical (novel) ・ Identical ancestors point ・ Identical case ・ Identical note ・ Identical particles ・ Identical Remote Controlled Reactions ・ Identical Strangers ・ Identical Twins, Roselle, New Jersey, 1967 ・ Identicon ・ Identifiability ・ Identifiability Analysis ・ Identifiable victim effect ・ Identification ・ Identification (biology) ・ Identification (information) ・ Identification (literature) ・ Identification (psychology) ・ Identification badges of the Uniform Services of the United States ・ Identification friend or foe ・ Identification in Burkean rhetoric ・ Identification in Nazi camps ・ Identification in rhetoric ・ Identification key ・ Identification of a Woman ・ Identification of Fixed Objects in Public Transport ・ Identification of medicinal products ・ Identification of trees of the northeastern United States ・ Identification Parade ・ Identification Projection Series ・ Identification scheme Dictionary Lists mini英和辞書 mini和英辞書 Webster 1913 Latin-English FOLDOC Wikipedia English ウィキペディア

翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク Identification (literature) ： ウィキペディア英語版 Identification (literature) Identification is a term used in literary and film studies to describe a psychological relationship between the reader of a novel and a character in the book, or between a spectator in the audience and a character on screen. In both cases, readers and spectators see themselves in the fictional character. Identification is usually supposed to be largely unconscious: a reader may be aware that she likes a given character, but not that she actually sees that character as an alter ego, a version of her, or a projection of her aspirations for herself. It would be a mistake to think all heroes foster identification, or that all villains inhibit identification—many, perhaps even most, characters elicit some degree of identification on the part of the reader or spectator. In film, Alfred Hitchcock exploited the traits of casual identification with specific moments, even when the character was villainous. In ''Psycho'' (1960), Hitchcock explained that as the character Norman Bates (Anthony Perkins) was disposing of the car containing Marion Crane's body in a swamp, for a brief moment he had the car stop sinking. "When Perkins is looking at the car sinking in the pond... the public are thinking, 'I hope it goes all the way down!' It's a natural instinct."〔Truffaut, Francois (1978) ''Hitchcock'' (Revised Edition) Paladin, p.342〕 ==See also== * Identification (psychology) 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Identification (literature)」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.